In Girum Imus Nocte Et Consumimur Igni
Cerith Wyn Evans
neon
h 17 cm, ø 176 cm
1997
Acquisition 1998
Inv. No. 0043
The artist has worked with film since the eighties, beginning with short films and leading on to film screenings enhanced with scented sprays, implying a concept of extended sculpture. Today, Cerith Wyn Evans is known above all for his installations, but throughout his work a consistently filmic approach can be found. The themes of “site/sight” with its motives of the magic screen and projection also plays an important role. The work in the evn collection is a Latin sentence in neon letters running around a hoop. The text is not only the title of Guy Debord’s last film from 1978, it is also one of the main slogans of the Situationist International. The mystical sentence is also a palindrome, a sequence of words which makes sense backwards and forwards thus making it possible to emphasise the meaning. Debord’s film, which only shows darkness for the first 15 minutes, is thematised anew by the gas of the neon installation, and also aesthetically romanticised. The infinity of the circular form intensifies the linguistically formal gesture of the palindrome, as well as the wording itself.
Hans Ulrich Obrist, 2005 (translation: Tim Sharp)
Continue readingExhibitions
KINETISMUS: 100 years of Art and Electricity, Kunsthalle Praha, Prague, 2022
Small Medium Large. Sculptures and Objects from the evn collection, evn sammlung, Maria Enzersdorf, 2022
Nach Rokytník. The collection of EVN, MUMOK, Vienna, 2005
Cerith Wyn Evans, Frankfurter Kunstverein, Frankfurt/Main, 2004
There is something you should know. Die EVN Sammlung im Belvedere, Österreichische Galerie Belvedere, Vienna, 2000
Publications
KINETISMUS: 100 Years of Electricity in Art, Ostfildern-Ruit 2022, p. 239
Lower Austria Contemporary 2010, St. Pölten 2010, p. 33
Lower Austria Contemporary 2009, St. Pölten 2009, p. s. p.
Endless Sphere, Siemens artsprogram, 2008, Berlin 2008, p. 110 f
evn sammlung 95–05, Cologne 2005, p. 88 f
Cerith Wyn Evans [Frankfurter Kunstverein, March 31st – May 23rd, 2004], Berlin 2004, p. 97
evn sammlung. Ankäufe 1997 – 1999, Maria Enzersdorf 1999, p. 40